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THE LEISURE SOCIETY [Read
reviews]
“Moloney’s Mark is perfectly creepy…”
[Read
review]
—Jerry Wasserman, Vancouver
Province
“Robert Moloney finds the humanity in Mark’s
caddishness—no easy feat.” [Read
review]
—Kathleen Oliver, The
Georgia Straight
“Robert Moloney, looking a bit wild and wolfish
with startling blue eyes and scruffy hair, is Mark.”
—Jo Leddingham, The
Vancouver Courier
SHOPPING AND FUCKING
“The actors do very well... Tom Scholte (Robbie),
and Robert Moloney (Mark) maintain and impressive degree of grounding;
their characters are befuddled guys working their way through
bizarre circumstances.”
—Colin Thomas, The
Georgia Straight
LIAR
“It’s a very nice performance by Robert
Moloney playing Mark. Absolutely seductive.”
—Michael Enright, CBC
Radio
“The acting is splendid...Moloney is especially
fine, showing off all the skills of a consummate con man.”
—Kevin Prokosh, Winnipeg
Free Press
“…extra applause for Moloney, franticly
yet smoothly lying to one and all.”
—Janice Sawka, Uptown
UNITY (1918)
“Robert Moloney turns in a moving performance
throughout.”
—Tom Sanborn, The
Vancouver Courier
“Robert Moloney’s bemused blind man,
Hart, is a study in the torment of the gentle at heart.”
—Anne Flemming, The
Georgia Straight
“(Hart)’s been blinded, which compounds
actor Robert Moloney’s task, one that he’s more than
up for.”
—Leanne Campbell,
Westender
THE DREAMER EXAMINES HIS PILLOW
“ ...an extremely fine production...”
—Leanne Campbell, Westender
“These performers do nothing badly.”
—Leanne Campbell, Westender
“Robert Moloney creates in Tommy a weirded-out
wonder...”
—Peter Birnie, The
Vancouver Sun
“Robert Moloney is gorgeously, skinlessly
confident as Tommy, playing both the character’s clownlike
appetites and poetically expressed yearnings with the ease of
a disciplined actor in full flight.”
—Colin Thomas, The
Georgia Straight
THE GLASS MENAGERIE
“...it’s good to see Robert Moloney
playing (Jim) as an essentially good natured loser.”
—Peter Bernie, The
Vancouver Sun
“Fine acting makes Glass Menagerie a must
see. Moloney demonstrates in his brief appearance late in the
play that he is capable of taking on a more substantial role.”
Don Fennell, Weekender
THE PLAYBOY OF THE WESTERN WORLD
“...tremendous vitality and consistently
high quality in the performances. Part of the charm of Moloney’s
performance is that he is always honestly—and often quite
sensually—in the moment.”
—Colin Thomas, The
Georgia Straight
“Nice performance by the always-engaging
Robert Moloney.”
—Barbara Crook, The
Vancouver Sun
BECOMING MEMORIES
“... Moloney [has] the kind of stage presence
I can only call luminous.”
—Barbara Crook, The
Vancouver Sun
ORPHANS
“Moloney’s
waif in holey jeans is a potent creation...”
—Kate Zimmerman, The
Calgary Herald
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